Paul Ernest is an extraordinary photographer. He was selected as the Professional Photographers Association (PPA) International Photographic Competition Diamond Award winner the first year he entered in 2012. He is a WPPI Grand Award Winner with over 17 WPPI awards. He attained Master Photographer within 17 months of joining PPA and has many other awards and accolades to his credit.
What makes Paul Ernest so knowledgeable and successful? Maybe it was that he was raised in a family of fine artists and that he studied advertising and design in addition to photography and film/cinematography at University of North Texas. Or maybe it was that 17 years as a working art director. Certainly his years as a wedding photographer in the Dallas area have given him a wealth of knowledge. (ErnestWeddings.com) And his fine art work calls forth strong emotions from his thoughtful and respectful images of soldiers to his playful Daliesque images. (PaulErnest.com) Whatever it is that makes Paul Ernest special, he knows how to make his prints speak in competition and in life.
Paul uses color to call forth emotion in the viewer. Listen to what this photographic artist has to say about color and how he uses it in his work in this edition of Color Talk with Paul Ernest
Now you can get the Paul Ernest treatment for your photographs with Paul’s new service. He will consult with you and advise you on how you can take your own image from good or great to award winning. He new service Ernest Edits: Creative Edits and Printmaking at ErnestEdits.net. See examples of what Paul Ernest advice can do for your photos. It’s an amazing opportunity.
We caught up with Paul to ask him some questions about his photography. The text of the interview is below. Enjoy getting to know Paul Ernest a little better here.
X-Rite Photo Blog: How long have you been taking photographs?
Paul Ernest: I have been photographing for over 25 years…. since I was a teenager. I learned in the film days. I minored in Cinema and Photography and majored in Advertising. I moved over to photography full time in 2008.
XPB: What drew you to photography?
PE: I think what drew me to it was photographers like Adams and Bourke-White, Vachon, Lee, Lange… basically the historical aspect. I also have many cinematographers that have inspired me as well as some of the commercial photographers early in my design career.
XPB: When did you begin to add your beautiful artistic illustration to your photography?
PE: I think it was a natural progression. I was restless with doing work for others (weddings, seniors, family) and wanted to do something for myself. Painters like Eastman, Rockwell, Wyeth and Millet were a constant inspiration to me. It really started out as one image and the positive reception it received mixed with the encouragement of my mentor David Edmonson really demanded that I do another. I think it really began a natural course after that.
XPB: What influenced your very distinctive style?
PE: All of the photographers and artists I mentioned really. I am the opposite of a photorealist painter… I am a photographer that wants to create organic images that honestly look like paintings, that don’t even have a source or media reference.
XPB: Are you experimenting with any new techniques or ideas?
PE: I am really looking at other subject matter rather than new techniques. I am continually working on my WWII work, but I want to pursue the Boy Scouts of America as well as expanding on current collections (PaulErnestGallery.com)
XPB: Tell us about your work as a professional photographer today.
PE: Right now I am working on an agricultural series for a “farm-to-table” style restaurant that will feature my work. And I am opening a new division called Ernest Edits to help keep me in the studio to focus on doing what I love.
XPB: What advice do you have for students of photography or those beginning or returning to photography as an art form?
PE: Learn the craft! Film or no film learn the craft. The cameras of today can mask the true ability to capture images. Its important to learn what photography is. For example… take a piece of tape and cover the preview screen. Can you still capture an image?
Furthermore, realize that there has been a paradigm shift in photography. The camera used to be the axis of photography. Now, with the advent of the digital world, Photoshop and all the technology we have we must realize that the camera is now a spoke, just like Photoshop. We are not just photographers anymore… we are imagemakers.
Paul Ernest uses X-Rite color management solutions for his digital color workflow. Visit PaulErnest.com to see more of his great photography. Learn how you can stop guessing and start knowing with color management solutions from X-Rite at www.xritephoto.com.Get the latest news, special offers, webinar notifications and much more by reading the X-Rite Photo Blog and following @xritephoto on Twitter, “Like” X-Rite Photo on Facebook. Now check us out on Google +. Start saving time and money with color management solutions from X-Rite. Visit www.xritephoto.com for information on all color management solutions for video and still photography.