X-Rite Photo Blog
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More Accurate Color with X-Rite ColorChecker Passport


by Brenda K. Hipsher – January 28th, 2011

Today we welcome a guest blogger, Leslie McDaniel. Her blog called Leslie McDaniel Photography caught our eye with this piece. Thanks to our Bill Gratton of MAC-on-Campus for forwarding her blog to us.  Leslie is a recent graduate of Montana State University’s Photography Department. Visit the website for Leslie McDaniel Photography, follow her on Twitter.  And enjoy her blog below!

How To Get More Accurate Color in Your Images

by  Leslie McDaniel

Have you ever ordered anything online and when you received the item, the color looked nothing like it did on your screen? This often prompts people to return the item since it wasn’t what they expected. However, what I’m going to share with you today will explain how the issue could possibly be on your end, in a way that the company has no control over.

As a photographer, it’s extremely important for me to have control over the color management in the image-making process from the moment of capture all the way to the final output, whether that’s a screen or a print. For the image I’ve captured to become reality, the colors captured by my camera and eventually represented in a print need to be as close as possible to the reality in front of my camera. I continually stress this to my clients and in this post I’m going to demonstrate this and I’ll also explain how you can get more realistic colors in your own images with one tiny step.

I recently needed to submit a new headshot to a company for which I freelance. I have a good bit of experience in making self-portraits so I decided to just set it up myself. After I had my location set up with the lighting and background I wanted to use, I set the exposure settings on my camera and then began to think about my color management workflow. What’s the first thing anyone with a camera should do in order to get the best color for the lighting conditions?

1. Set the WHITE BALANCE on your camera.

If you’re thinking, “What’s the white balance????”, you should probably pull out that camera manual and check it out. There are settings on pretty much every digital camera that allow you to set the white balance to things like cloudy, sunny, shade, fluorescent, flash, etc. Maybe you already know about white balance and you’re just like, “Oh, I just set it to Auto-WB” and let the camera figure it out. Here’s point #2:


Here’s the reason: when your camera is set on auto white balance, it remeasures and adjusts the white balance for every single frame. If there are even slight changes in the light (such as outside on a partly sunny day), you are going to get variations in the color on all of your images.

Back to my headshot (and why you might want to rely on a professional for the absolute best quality color prints)….

I set my camera to the “flash” white balance setting since I used studio strobes. However, I also have some other tools to help me get the best color. One of those is the X-Rite Color Checker Passport. This thing is so very cool. Before I get to that, though, let me show you an image from my camera, with the white balance set at flash, but before the rest of my color management workflow:

The color is not so bad, but I know that the purple color of my dress and the turquoise color of my necklace are just not popping like they did in real life. So, I photographed my Color Checker Passport.  I imported that image into my editing program (I’m using Lightroom 3) and by a wave of my magic wand (read: a quick button click in Lightroom), the true colors of that palette and everything else in the image show up.

I saw a dramatic difference in the purples, blues, and reds, not to mention a difference in the background and my skin and clothes.

Of the various poses and outfits I photographed that day, here is the final image I chose as my headshot, originally white balanced with my camera set to flash, but then processed in Lightroom 3 with the corrected color palette:

Check out the color of my clothes and background, and even the color of my skin from the first image to the last one. Now, I cannot guarantee that you are seeing what I see on my screen for one last reason. I have a color calibrated monitor that accurately displays color (I use the X-Rite ColorMunki). THIS is why that thing you ordered that I mentioned at the beginning of this post looks nothing like what it looked like on your screen. This is one more piece of my color management workflow that is not available to the average friend, brother, father, or cousin who has a good camera and takes good pictures. I have specifically invested in these tools because of the importance of getting the correct color in my color photographs.

For more stories about exceptional students in photography schools and more check out MAC-on-Campus and follow them on Facebook as well!

Categories: Camera Profile, ColorChecker, Lighting, News, Profiles, Related Blog Post, Vision, White Balance | Tags: , , , ,

2 responses to “More Accurate Color with X-Rite ColorChecker Passport”

  1. J A Sottolano says:

    Had a question regarding the Passport and use of strobes or speedlights. I have no problem with the passport in natural light, but no matter what the exposure setting (unless I’m underexposing), I’m getting an error when trying to generate a Passport profile either in LR or standalone. I repeatedly get “one or more colors are clipped”, yet the histogram is fine. I uninstalled and reinstalled the software and this only happens in an in studio strobe environment or with an on location indoor shoot where I’m more likely to be using speedlights and umbrellas. Are you making any compensations in your use of the Passport with using Flash lighting? Any ideas would be greatly appreciated… It is driving me mad. 🙂

    Jay S.

    • Brenda K. Hipsher says:

      Jay we’re not sure what might be happening. We do not experience what your describing in our own tests and we often (nearly always) use flash of some kind whether on camera or strobes off camera. It sounds like there is some kind of glare of flare interfering with the process.
      Be sure to keep fingers off the color patches as the oils from our skin can degrade the color patches. I’m just not sure what’s happening in your case.
      Brenda K. Hipsher

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